|
 |
 |
 |
 |
| CV | Download Complete CV as PDF |
| Education | 1998 | Goldsmiths’ College, University of London, MFA |
| 1992 | Concordia University, Montréal, BA | |
 |
||
| selected solo | 2008 | Lynne Marsh, Musée d'art contemporain de Montréal, curated by Lesley Johnstone (cat.) |
| exhibitions | Lynne Marsh, Musée régional de Rimouski, Quebec, curated by Bernard Lamarche (cat.) | |
| Stadium, Steve Turner Contemporary, Los Angeles | ||
| 2007 | Stadium - first cut, Künstlerhaus Bethanien, Berlin (cat.) | |
| Ballroom, Gallery 1C03, University of Winnipeg, programmed by Video Pool, Winnipeg | ||
| 2006 | Volcano, Platform, London (cat.) | |
| 2005 | Lynne Marsh: Crater, Cinémathèque québécoise, Le Mois de la Photo, Montréal curated by Martha Langford (cat.) | |
| 2002 | Screeners, Prema Arts Centre, Gloucestershire, UK | |
| 2000 | Venus...I see blue, Oboro Gallery, Montréal | |
| 1998 | New Digital Work - Video Wall Commission, Levi Strauss Store, London | |
| Venus...I see blue, 291 Gallery, London | ||
| 1995 | Out of Character, YYZ Artists’ Outlet, Toronto | |
| The New Gallery, Calgary | ||
| Annie Get Your Gun, Le Mois de la Photo, Galerie B-312, Montréal (cat.) | ||
| Annie Get Your Gun, Artspeak Gallery, Vancouver | ||
| 1994 | Ligne de Mire, Galerie Clark, Montréal | |
| Galerie AxeNéo 7, Hull, Canada | ||
|
||
| selected group |
2009 | There is no audience, Montehermoso, Vitoria-Gasteiz, Spain, curated by Adnan Yildiz |
| exhibitions |
2008 | Nothing is Lost, Nothing is Created, Everything is Transformed –The Quebec Triennial, Musée d'art contemporain de Montréal, curated by Josée Bélisle, Pierre Landry, Mark Lanctôt, Paulette Gagnon (cat.) |
| 2007 | Nightcomers, 10th International Istanbul Biennial, Turkey, curators: Adnan Yildiz, Pelin Uran | |
| Reality Crossings, 2. fotofestival Mannheim / Ludwigshafen / Heidelberg, curated by Christoph Tanert (cat.) | ||
| Classe de Danse, Progr – Zentrum für Kulturproduction, Bern, curated by Alessio Fransoni and Ilari Valbonesi | ||
| 2006 | Next Level, Kunstverein Wolfsburg, Germany, curated by Justin Hoffmann | |
| 2005 | London Movies, Palais de Beaux Arts, Brussels, curated by Edgar Schmitz | |
| Disorient, Hit Gallery, Bratislava, Slovakia, and Globe Gallery, Newcastle, 2006 | ||
| Video Unplugged, Galleri S.E, Bergen, Norway, curated by Paco Barragán | ||
| 2004 | Hulagirl, Waygood Gallery, Newcastle (cat.) | |
| The Sneeze 80x80, Gazon Rouge Gallery, Athens, curated by Peter Lloyd Lewis and Natasha Makowski (cat.) | ||
| Transmogrifications, Danielle Arnaud Contemporary Art, London, co-curated with Maria Walsh and Mo Thorpe | ||
| 2003 | Family Business, PM Gallery and House, London, curated by Danielle Arnaud and Matthew Poole | |
| Taking Speed, 1 000 000mph Gallery, London, curated by Dallas Seitz | ||
| Exhumed, The Museum of Garden History, London, curated by Danielle Arnaud, Jordan Kaplan and Philip Norman (cat.) | ||
| 2001 | landescape, Mercer Union Gallery and iMAGES Festival, Toronto (cat.) | |
| 2000 | Sodium Blindness, APT Gallery, London, curated by Sarah Conway and Lisa Lefeurre | |
| Problems of Everyday Life, Bluecoat Gallery, Liverpool, curated by David Mabb | ||
| 1998 | Close Encounters, The Ottawa Art Gallery, curated by Sylvie Fortin (cat.) | |
| flipped; Sexe Limité, La Centrale Galerie, Montréal | ||
| 1997 | Moi non plus, Dazibao Gallery, Montréal, Canada | |
| 1996 | Women Look at Guns, SF Camerawork, San Francisco curated by Nancy Floyd and Bill Laven | |
| In Our Sights: Artists Look at Guns, California Museum of Photography, Riverside curated by Nancy Floyd, Bill Laven (cat.) | ||
|
||
| selected screenings | 2007 | Ballroom Blitz, BFI Southbank, London, curated by Elisabetta Fabrizi |
| Supernature, Urban Screens Manchester and BBC, Manchester, curated by Susanne Jaschko | ||
| Fair:Play07 Film & Video Award, Kino Babylon Mitte, Berlin | ||
| 2003 | Festival International Cinema Nouvelle Generation, Lyon, curated by Laurence Le Petit | |
| New Territories International Festival of Live Art, Glasgow (cat.) | ||
|
||
| publications and catalogues | Johnstone, Lesley and Bernard Lamarche. Lynne Marsh, Montreal: Musée d'art contemporain de Montréal and Rimouski: Musée régional de Rimouski, 2008 Read: Figure, Architecture, Camera: The Strategic Modes of Lynne Marsh, by: Lesley Johnstone |
|
| Pil and Galia Kollectiv. Volcano,
published by Platform, London: Platform, 2006 Read: Notes towards the scientific understanding of an enlightened Xenuology..., by Pil and Galia Kollectiv |
||
| Nothing is Lost, Nothing is Created, Everything is Transformed: The Quebec Triennial, Montreal: Musée d'art contemporain de Montréal, 2008 |
||
| Becker, Kathrin. “Critical Tourism. On Lynne Marsh's Video Installation Stadium -First Cut”, BE-Magazine, no. 14, 2007, p. 44-49 Read: Critical Tourism, by Katrin Becker |
||
| “Lynne Marsh nominated by PoCA”, Pilot:3, London: Pilot, 2007, p. 238-241 Read: Lynne Marsh, by PoCA |
||
| Hoffman, Justin. Next Level, Wolfsburg: Kunstverein Wolfsburg, 2007 |
||
| Mays, Mariianne. “The Mesmerist; Lynne Marsh, Ballroom”, Poolside, Winnipeg: Video Pool, 2007, p.64-69 |
||
| Lawson, Shelia. “Lynne Marsh: Volcano”, Platform 1998-2006, London: Platform, 2006 |
||
| Langford, Martha. “Lynne Marsh. Crater”, and Francine Dagenais. “Eyes and Skin/Touch and Gaze” Image & imagination, Montreal: McGill-Queen's University Press, 2005, p. 50-52. p. 38-49 Read: Lynne Marsh: Crater, by Martha Langford |
||
| Cheddie, Janice. “Cartographies of the Feminine”, Hulagirl: Lynne Marsh & Miranda Whall, Newcastle: Waygood Gallery, 2004, p. 4-9 Read: Cartographies of the Feminine (excerpt), by Janice Cheddie |
||
| Kaplan, Jordan. “Anonymous Bodies”, Exhumed, London: Parabola, 2003 |
||
| Blouin, Danielle. “Une fonction documentaire”, Un livre délinquant, Saint-Laurent: Fides, 2001, p. 81-93 |
||
| Demkiw, Janis. landescape, Toronto: Mercer Union Gallery, 2001 Read: landescape, by Janis Demkiw |
||
| Lamontagne, Valérie. “Fantasy revisited”, Textura, Montreal: La Centrale, 2000, p. 41-43 Read: Fantasy Revisited, by Valérie Lamontagne |
||
| Fortin, Sylvie. Close Encounters, Ottawa: Ottawa Art Gallery, 1998 |
||
|
||
| selected articles and | Redfern, Christine. “Where de we fit in?”, The Montreal Gazette, Jan. 2, 2009, p. E5 | |
| reviews from 2005 on | Dewolfe, Stacy. “Surrounding herself”, Montreal Mirror, Jan. 29-Feb.4, 2009 , p. 46 | |
| Kilston, Lyra. "Lynne Marsh" at Musee d'Art Contemporain (Montreal)”, Modern Painters, Nov. 2008 | ||
| Hochereau, Alain. “Espaces réinventés”, Voir Montréal, Nov. 6-12, 2008 | ||
| Cloutier, Mario. “Le corps architecte au Musée d'art contemporain”, La Presse, Montreal, Nov. 7, 2008 | ||
| Charron, Marie-Éve. “Une sale de danse, un stade, un studio de television et vous” Le Devior, Montreal, Nov. 22, 2008, p. E8 | ||
| Mavrikakis, Nicolas. “Portrait de l’artiste en Magicien”, Voir Montréal, Nov. 27-Dec.4, 2008, p. 37 | ||
| Fadden, Robyn. “Found in space”, Hour, Montreal, Dec. 4-10, 2008 | ||
| Frank, Peter. “Falling Together”, LA Weekly, Apr. 9, 2008 | ||
| Tanert, Christoph. “Reality Crossings” European Photography, No.82, winter 2007-08 | ||
| Abramson, Stacey. “Lynne Marsh's Ballroom”, C Magazine, no. 95, Fall 2007, p. 46-47 | ||
| Hauffen, Michael. “Next Level "Die Lust am Spiel in der Netzwerkgesellschaft", Kunstforum International, Bd. 184, Mar./Apr. 2007, p. 315-17 | ||
| Sloan, Johanne. “Landscape Immersions: Lynne March's Performative Spaces”, Art Papers, Vol. 30, no. 2 Mar./Apr. 2006, p. 34-39 Read: Landscape Immersions..., by Johanne Sloan |
||
| Vanmeenen, Karen. “A Hunger for Images”, Afterimage, Vol. 33, no. 4, Jan./Feb. 2006, p. 13-17 | ||
| Lamarche, Bernard. “La gravité déjouée”, Le Devoir, Montreal, Sept. 23, 2005, p. B-1 Read: La gravité déjouée, par Bernard Lamarche |
||
|
||
| selected residencies | Canada Council for the Arts 2000 | 2005 | 2008 | |
| and awards | U of Hertfordshire, Social Sciences, Arts and Humanities Research Award 2005 | 2008 | |
| International Studio Programme, Künstlerhaus Bethanien, Berlin 2006 | ||
| Arts Council England 2003 | 2006 | ||
| Arts and Humanities Research Council UK 2004 | ||
| Conseil des arts et des lettres du Québec 1996 | 1999 | 2003 | 2004 | ||
| The Banff Centre for the Arts, Canada 1996 | 2003 | ||
|
||
| Lectureships | University of Hertfordshire, Senior Lecturer, School of Art and Design, Hertfordshire, UK (present) | |
| Goldsmiths' College, Lecturer, Undergraduate Programme Fine Art, London (2005-2006) | ||
|
||
| View
Biography Download Complete CV as PDF |