| Education |
1998 |
Goldsmiths’ College, University
of London, MFA |
| |
1992 |
Concordia University, Montréal,
BA |
 |
selected soloexhibitions
(*denotes
publication) |
2009 |
Musée d'art contemporain
de Montréal, Canada curated by Bernard Lamarche (*)
(upcoming) |
| 2008 |
Steve Turner Contemporary (upcoming) |
| |
Musée Régional de
Rimouski, Québec, Canada curated by Bernard Lamarche (*) (upcoming) |
| 2007 |
Stadium,
Künstlerhaus Bethanien, Berlin* |
| |
|
Ballroom,
Video Pool, Winnipeg |
| |
2006 |
Volcano, Platform, London* |
| |
2005 |
Crater, Cinémathèque
québécoise, Le Mois de la Photo, Montréal curated
by Martha Langford* |
| |
2002 |
Screeners, Prema Arts
Centre, Gloucestershire, UK |
| |
2000 |
Venus...I see blue, Oboro
Gallery, Montréal |
| |
1998 |
New Digital Work - Video
Wall Commission, Levi Strauss Store, London |
| |
|
Venus...I see blue, 291
Gallery, London |
| |
1995 |
Out of Character, YYZ
Artists’ Outlet, Toronto |
| |
|
The New Gallery, Calgary |
| |
|
Annie Get Your Gun, Le
Mois de la Photo, Galerie B-312, Montréal* |
| |
|
Artspeak Gallery, Vancouver |
| |
1994 |
Ligne de Mire, Galerie
Clark, Montréal |
| |
|
Galerie AxeNéo 7, Hull,
Canada |
|
selected duo &
group exhibitions |
2007 |
Nightcomers, 10th International
Istanbul Biennial, Turkey, curators: Adnan Yildiz, Pelin Uran |
| |
Reality
Crossings, fotofestival
Mannheim / Ludwigshafen / Heidelberg, curated by Christoph Tanert (publication) |
| |
|
Classe de
Danse, Progr – Zentrum
für Kulturproduction, Bern, curated by Alessio Fransoni and Ilari
Valbonesi |
| |
2006 |
Next Level, Kunstverein
Wolfsburg, Germany, curated by Justin Hoffmann |
| |
2005 |
London Movies, Palais
de Beaux Arts, Brussels, curated by Edgar Schmitz |
| |
|
Dislocate, Hit Gallery,
Bratislava, Slovakia, and Globe Gallery, Newcastle, 2006 |
| |
|
Video Unplugged, Galleri
S.E, Bergen, Norway, curated by Paco Barragán |
| |
2004 |
Hulagirl, Waygood Gallery,
Newcastle* |
| |
|
The Sneeze 80x80, Gazon
Rouge Gallery, Athens, curated by Peter Lloyd Lewis and Natasha Makowski
* |
| |
|
Transmogrifications,
Danielle Arnaud Contemporary Art, London, co-curated with Maria Walsh and
Mo Thorpe |
| |
2003 |
Family Business, PM Gallery
and House, London, curated by Danielle Arnaud and Matthew Poole |
| |
|
Taking Speed, 1 000 000mph
Gallery, London, curated by Dallas Seitz |
| |
|
Festival International Cinema
Nouvelle Generation, Lyon, curated by Laurence Le Petit |
| |
|
Exhumed, The Museum of
Garden History, London, curated by Danielle Arnaud, Jordan Kaplan and Philip
Norman * |
| |
|
New Territories International
Festival of Live Art, Glasgow* |
| |
2001 |
landescape, Mercer Union
Gallery and iMAGES Festival, Toronto* |
| |
2000 |
Sodium Blindness, APT
Gallery, London, curated by Sarah Conway and Lisa Lefeurre |
| |
|
Problems of Everyday Life,
Bluecoat Gallery, Liverpool, curated by David Mabb |
| |
1998 |
Close Encounters, The
Ottawa Art Gallery, curated by Sylvie Fortin * |
| |
|
flipped; Sexe Limité,
La Centrale Galerie, Montréal |
| |
1997 |
Moi non plus, Dazibao
Gallery, Montréal, Canada |
| |
1996 |
Women Look at Guns, SF
Camerawork, San Francisco curated by Nancy Floyd and Bill Laven |
| |
|
In Our Sights: Artists
Look at Guns, California Museum of Photography, Riverside curated
by Nancy Floyd, Bill Laven* |
|
selected
bibliography |
|
Critical
Tourism. On Lynne Marsh’s
video installation Stadium – first cut, Kathrin Becker, BE-Magazine,
Künstlerhaus Bethanien, 2007 |
| |
|
Lynne
Marsh by PoCA (Political
Currency of Art), PILOT:3 Venice: 2007 |
| |
|
Volcano,
published by Platform, London, 2006 |
| |
|
Landscape
Immersion: Lynne Marsh’s Performative Spaces, Johanne Slone, Art Papers,
March/April 2006 |
| |
|
Image and Imagination,(catalogue)
Martha Langford, McGill-Queens University Press, Montréal, 2005 |
| |
|
La
gravité déjouée,
Bernard Lamarche, Le Devoir, p. B3, Montréal, Sept. 23, 2005 |
| |
|
Cartographies of the Feminine,
Janice Cheddie, Hulagirl, Waygood Gallery, Newcastle, 2004 |
| |
|
Fall (artist’s
project for print) Esse, Vol.52, Fall 2004 |
| |
|
Taking Speed, Helen Sumpter,
Time Out London, London, October 22-29, 2003 |
| |
|
Anonymous Bodies, Jordan
Kaplan, Exhumed,(catalogue) Parabola, London, 2003 |
| |
|
Tian An Men by Namco (poster
-inside front and back covers) Mix Magazine, Vol.27, Fall 2001 |
| |
|
Un livre délinquant;
Les livres d’artist comme experiences limites, Danielle Blouin,
Fides, p. 88-93, 2001 |
| |
|
landescape, Janis Demkiw, Mercer
Union, Toronto, 2001 |
| |
|
Fantasy Revisited, Valérie
Lamontagne, Textura, (catalogue) Galerie La Centrale, Montréal,
2000 |
| |
|
Lynne Marsh, Francine
Dagenais, Parachute, Vol.99, July-Sept. 2000 |
| |
|
Lynne Marsh Raising Brows,
Skidmore, Hour, Montréal, Mar. 2-8, 2000 |
| |
|
Superhéroine en boîte,
Bernard Lamarche, Le Devoir, Montréal, Feb. 5, 2000 |
| |
|
The body shows up in various
guises, Henry Lehmann, The Gazette, Montréal, Jan. 29, 2000 |
| |
|
Venus en quête de sens,
Jennifer Couëlle, La Presse, Montréal, Jan. 16, 2000 |
| |
|
Arrêt sur image,
Nicolas Mavrikakis, Voir, Montréal, Jan. 13-19, 2000 |
| |
|
Movin’ On UP Down in
Deptford, Gianmarco Del Re, Flash Art, No.208, Oct., 1999 |
| |
|
Exposition; Sexe-limite,
Jennifer Couëlle, CVphoto, Vol.45, Winter 1999 |
| |
|
Rencontre du troisiéme
type, Dominique Laurent, Le Droit, Ottawa, Oct. 31, 1998 |
| |
|
Theatres Erotiques, Bernard
Lamarche, Le Devoir, Montréal, Oct. 24, 1998 |
| |
|
Caught Looking; Flipping Over
Lynne Marsh, Marcus Miller, The Hour, Montréal, Oct. 15-21,
1998 |
| |
|
Gen X's Close Encounters,
Paul Gessell, The Ottawa Citizen, Ottawa, Sept. 28,1998 |
| |
|
Gun Smoke it Ain't at UCR/CMP,
Jason H. Butler, Highlander, Riverside, California, Vol. 44, #20, March
1996 |
| |
|
Caught
in the Act, Dionne
McAffee, Artichoke, Vol.7, No. 3, Fall/Winter 1995 |
| |
|
Western Canada in Brief, David
Garneau, C magazine, No. 46, 1995 |
| |
|
Out of Character (artist’s
book) ed. of 100, 1995, distrib. Art Metropole, TO, Printed Matter, NY |
| |
|
Un prototype peut en cacher
un autre, Jennifer Couelle, Le Devoir, Montréal, Sept. 21,
1995 |
| |
|
Gays and Guns Diversity in
Mois de la Photo, Henry Lehmann, Mirror, Montréal, Sept.
21, 1995 |
| |
|
Women Pose in Photographic
Installation, Ann Duncan, The Gazette, Montréal, Sept. 8,
1995 |
|
| selected residencies and awards |
|
International Studio
Programme, Künstlerhaus Bethanien, Berlin 2006 |
| |
Arts Council England 2003 | 2006 |
| |
|
Canada Council for the Arts 1993
| 2000 | 2005 |
| |
|
Arts and Humanities Research Council
UK 2004 |
| |
|
Conseil des arts et des lettres
du Québec 1993 | 1994 | 1996 | 1999 | 2003 |
| |
|
The Banff Centre for the Arts,
Canada 1996 | 2003 |
| |
|
La fondation Daniel Langlois and
Studio XX 2001 |
| |
|
Prim Centre d'arts médiatiques
1999 |
| |
|
SAW Video production 1997 |
|
| Lectureships |
|
Senior Lecturer, Faculty of Art
and Design, University of Hertfordshire, UK (present) |
| |
|
Visiting Lecturer, Department
of Visual Art Goldsmiths' College, UK (2005-2006) |
|
